Paul (Poison Fish) Manjyu Woodman

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Typhoon could approach Japan during 5-day holiday period

Typhoon Could Approach Japan During Five-Day Holiday Period Japan was facing the possibility of a typhoon approaching the country during a rare five-day holiday period, with the Japan Meteorological Agency warning that the weather system could bring heavy rain, strong winds and rough seas to parts of the country. The extended holiday, which began over the weekend, was expected to encourage large numbers of people to travel around Japan. However, the potential arrival of the storm raised concerns about disruptions to transport, outdoor activities and journeys between major cities. Typhoon Threat Emerges Ahead of Silver Week The weather agency was monitoring a tropical system that was expected to move northward towards Japan. At the time of the initial forecast, the precise path and strength of the system remained uncertain, meaning it was not yet possible to determine exactly which areas would experience the greatest effects. Forecasting the movement of tropical cyclones several days in advance is particularly important in Japan because even a storm that does not make a direct landfall can produce substantial rainfall, high waves and strong winds. Conditions can also deteriorate over a wide area because of rain bands surrounding the centre of a storm. The five-day holiday period was an unusual calendar combination, making the potential timing of the storm particularly significant for travellers. The holiday period was scheduled to continue through Wednesday, giving people several consecutive days away from work and school. Weather Agency Urges People to Monitor Forecasts The Japan Meteorological Agency urged people to pay close attention to updated forecasts as the storm developed. Officials were particularly concerned about the possibility of heavy rain, strong winds and high waves in areas that could come under the influence of the system. Weather conditions can change rapidly as a tropical cyclone approaches Japan, and the eventual impact depends on its track, speed and intensity. A relatively small change in the projected route can alter which prefectures receive the heaviest rainfall or strongest winds. The agency’s warnings were therefore not limited to people living directly along a projected path. Travellers heading to coastal areas, mountainous regions and other locations vulnerable to flooding or landslides could also face changing conditions during the holiday. Travel Disruptions Were a Key Concern One of the main concerns surrounding the possible typhoon was the effect on public transportation. Strong winds and heavy rain can lead railway operators to reduce speeds, suspend services or cancel trains when conditions become unsafe. Air travel can also be affected when a tropical cyclone approaches Japan. Airlines may cancel or delay flights because of strong winds, poor visibility or airport operating restrictions. Ferry services and other forms of transport can face additional problems when seas become rough. The Japan Meteorological Agency warned that the storm could cause disruption to public transportation. People travelling during the five-day break were therefore advised to remain flexible and check the latest information before setting out. The potential disruption was particularly relevant because the holiday period was expected to generate increased domestic travel. People returning to their home towns, visiting relatives or taking short breaks could find their plans affected if railway or air services were suspended. Heavy Rain Could Create Additional Risks The impact of a typhoon is not determined solely by the strength of its winds. Heavy rainfall can create serious problems even when the centre of a storm passes some distance from a particular location. Mountainous parts of Japan are especially vulnerable to landslides following prolonged or intense rainfall. Rivers can also rise quickly, while low-lying urban areas can experience flooding when drainage systems become overwhelmed. The weather agency was therefore monitoring not only the predicted position of the storm but also the amount of rain that could fall in different regions. Rain that arrives before the centre of a typhoon can also increase cumulative rainfall totals and make subsequent downpours more dangerous. People in areas where heavy rain was forecast were expected to remain alert for official warnings and evacuation information. Authorities regularly advise residents to move to safer locations before conditions become too dangerous to travel. Five-Day Holiday Creates Extra Travel Demand The timing of the potential storm was particularly notable because Japan was entering an extended holiday period sometimes associated with Silver Week. When national holidays line up with a weekend, the result can produce several consecutive days away from work. The five-day break was expected to encourage leisure travel, visits to family and trips to tourist destinations across the country. Popular railway routes, airports and tourist areas can become considerably busier during such periods. That meant any significant interruption to transportation could affect large numbers of people at the same time. Travellers who were planning to move between regions during the holiday were advised to take changing weather conditions into account rather than relying solely on schedules made several days earlier. The weather situation also highlighted the importance of checking information close to the time of travel. Typhoon forecasts become more precise as additional observations are collected and the storm’s movement becomes clearer. Storm Path Was Still Uncertain At the stage covered by the initial report, the agency had not determined that the typhoon would definitely make landfall in Japan. Instead, officials said the country could see the approach of the storm during the holiday period. This distinction was important because tropical cyclones can change direction as they interact with surrounding weather systems. The eventual route can determine whether a storm crosses land, passes offshore or moves away without producing the most severe conditions originally feared. Forecast models are continually updated as a storm develops. The Japan Meteorological Agency provides five-day track and intensity forecasts for tropical cyclones, allowing authorities, transport operators and the public to prepare as the expected path becomes clearer. Later forecasts did in fact bring the system closer to eastern Japan. The storm was subsequently identified as Typhoon Dujuan, the 25th typhoon of the year, and forecasts called for it to approach the Kanto region, which includes Tokyo, during

Foreign visitors to Japan in August fall 9.6% to 3.10 million

Foreign Visitors to Japan Fall 9.6% in August to 3.10 Million The number of foreign visitors to Japan fell 9.6 percent in August from a year earlier, dropping to 3,098,900, according to estimates released by the Japan National Tourism Organization. It was the first year-on-year decline in visitor numbers in two months. The decline came despite strong demand from many of Japan’s major tourism markets during the summer holiday period. Visitor numbers from 14 countries and regions reached record highs for August, showing that the overall fall was driven by particularly sharp declines from some markets rather than a broad reduction in overseas interest in Japan. The largest factor was a steep drop in visitors from mainland China. Chinese arrivals fell 59.0 percent from a year earlier to about 418,000, according to the JNTO figures. Chinese Visitor Numbers Fall Sharply China has traditionally been one of Japan’s largest sources of international visitors, making the change in arrivals from the market particularly significant for the overall tourism figures. The JNTO said the decline in Chinese visitors was associated with reductions in air services following a Chinese government advisory urging its citizens to avoid travel to Japan. The reduction in flights made it more difficult for visitors from China to travel to Japan during the month. Chinese visitor numbers have now fallen year on year for nine consecutive months. The 59.0 percent decline in August was substantially larger than the changes recorded in most other major markets. The fall in Chinese arrivals also came at a time when tourism demand from several other East Asian markets remained strong. South Korea, Taiwan and Hong Kong all recorded increases, with each reaching its highest-ever August visitor total. South Korea Records a Record August South Korea remained one of Japan’s strongest sources of visitors, with arrivals increasing 28.7 percent from a year earlier to approximately 850,500 in August. The figure was the highest ever recorded for August from South Korea. The JNTO attributed the strong demand partly to school holidays, increased airline capacity and continued interest in travelling to Japan. South Korea’s growth helped offset some of the decline from China. The two markets are geographically close to Japan and have large numbers of visitors travelling to Japan throughout the year. The August figures also demonstrate how visitor trends can differ significantly between neighbouring countries. While Chinese arrivals dropped sharply, South Korean arrivals increased by more than a quarter compared with the same month in 2025. Taiwan and Hong Kong Also Reach August Records Visitors from Taiwan increased 7.3 percent from a year earlier to approximately 666,000 in August. That was the highest August total ever recorded for the Taiwanese market. Arrivals from Hong Kong also reached a record August figure, increasing 9.4 percent to about 247,300. The three East Asian markets of South Korea, Taiwan and Hong Kong therefore all recorded their highest August visitor numbers while Chinese arrivals moved sharply in the opposite direction. The contrasting results underline the uneven nature of Japan’s tourism market in August. Overall visitor numbers declined, but many individual markets continued to expand. Fourteen Markets Reach August Records The JNTO said 14 countries and regions recorded their highest-ever visitor numbers for the month of August. The markets included South Korea, Taiwan, Hong Kong, Malaysia, Indonesia, India, the United States, Mexico, France, Italy, Spain, Russia, the Nordic region and the Middle East. Italy and Spain went further, recording their highest monthly visitor totals for any month, rather than simply setting records for August. Arrivals from Italy increased 15.1 percent to 47,300, while visitors from Spain rose 14.1 percent to 36,500. Both markets therefore continued to expand even as Japan’s overall August figure declined. More Visitors From the United States and Mexico The United States also recorded growth, with visitor numbers increasing 1.5 percent from a year earlier to approximately 197,400. Mexico recorded a considerably larger increase. Arrivals from the country rose 37.0 percent to around 18,600, another August record. The figures show the increasing contribution of markets outside East Asia to Japan’s inbound tourism industry. While the largest visitor markets still have a major influence on the overall total, strong growth from smaller markets can provide additional demand for hotels, restaurants, attractions and other tourism businesses. The record figures from Italy, Spain, Mexico and several other markets also suggest that the August decline cannot be interpreted as a general collapse in overseas demand for Japan. Some European and Southeast Asian Markets Decline Not every market outside China recorded growth. Visitor numbers from Australia fell 7.4 percent to approximately 38,200, marking the second consecutive month of year-on-year decline. Arrivals from Thailand fell 9.3 percent, while visitors from Germany declined 5.5 percent. The Philippines recorded an 11.6 percent decrease. The JNTO said August is a period when inbound tourism demand from some Southeast Asian markets tends to be more subdued. Flight cancellations caused by typhoons and reductions in airline services also affected visitor numbers in some markets. Weather can have a direct effect on international tourism to Japan, particularly during the summer typhoon season. Flight cancellations can affect both the number of visitors able to arrive and the number of people able to complete planned trips. Summer Holidays Support Tourism Demand Despite the overall decline, the JNTO said there was strong demand for travel to Japan from East Asia as well as Europe, the United States, Australia and the Middle East during the summer holiday period. School holidays and other seasonal breaks helped support visitor numbers from several markets. The August figures also benefited from continued interest in Japan as an international tourist destination. The weak yen against many currencies remained another factor supporting overseas demand. A relatively weak Japanese currency can make accommodation, food, shopping and other expenses in Japan comparatively attractive to visitors whose home currencies have strengthened against the yen. However, currency conditions are only one part of the tourism picture. Flight availability, airfares, seasonal holidays, weather and government travel advisories can all influence whether people choose

Tokyo Game Show opens with more exhibitors from overseas new entrants

Tokyo Game Show Opens With Record Overseas Presence and New Industry Entrants The Tokyo Game Show opened in Chiba on September 17 for its 30th anniversary, with the event reaching its largest scale since it was launched in 1996 and attracting a record number of exhibitors from overseas. The five-day event at Makuhari Messe runs from September 17 through September 21, making this year’s show the longest in its history. Organizers are expecting about 300,000 visitors during the event, which brings together major Japanese publishers, international developers, hardware companies, independent studios and businesses from other parts of the entertainment industry. A total of 1,138 companies and organizations are exhibiting at this year’s show, according to the Computer Entertainment Supplier’s Association, which organizes the event. Of that number, 540 are from Japan and 598 are from overseas, meaning international exhibitors have outnumbered domestic exhibitors for the first time. Overseas Exhibitors Outnumber Japanese Companies The international presence is one of the most notable features of the 2026 Tokyo Game Show. Exhibitors are coming from 53 countries and regions, another record for the event, and they occupy a combined 3,999 exhibition booths. The number of exhibitors is slightly higher than last year’s 1,136, although the number of booths is lower than the 4,157 recorded in 2025. The difference reflects changes in the size and composition of participating companies and exhibition areas. The increase in international participation nevertheless represents a significant change for a show that has traditionally been closely associated with Japan’s own gaming industry. Overseas developers and publishers are increasingly using Tokyo as a place to introduce products, meet business partners and reach Japanese players. The international expansion also gives Japanese visitors an opportunity to see games and companies from markets that may otherwise receive less attention in Japan’s domestic gaming environment. New Companies From Outside the Traditional Games Industry The growing international presence is not the only change at this year’s event. Companies that have not traditionally been identified primarily with video games are also entering the show. Sanrio and Toei are among the newcomers highlighted in reports on the event. Their participation illustrates how gaming is increasingly connected with wider entertainment businesses, including character licensing, film, television and other forms of popular culture. Sanrio is internationally known for characters including Hello Kitty, while Toei has extensive interests in film, television and animation. Their presence at Tokyo Game Show reflects the increasingly broad commercial opportunities surrounding games and game-related entertainment. Games can now function as part of larger entertainment franchises, while established characters and entertainment properties can be adapted into games. This creates opportunities for companies that might previously have had little reason to exhibit at a dedicated gaming event. Major Japanese Publishers Remain Central to the Show Although overseas exhibitors have become the majority, the Tokyo Game Show remains an important showcase for Japan’s major game companies. Capcom is presenting the latest developments in its Monster Hunter series, while Square Enix is showcasing its Final Fantasy franchise. Other major Japanese and international publishers are also using the event to demonstrate upcoming games and technologies. The show provides companies with a chance to demonstrate games directly to players as well as meet industry professionals. For developers and publishers targeting the Japanese market, an appearance at Makuhari Messe can also provide opportunities to attract media attention and establish relationships with potential business partners. The presence of both established publishers and smaller developers makes the exhibition considerably broader than a showcase limited to the industry’s largest companies. Indie Games Have a Major Presence Independent developers continue to represent a substantial part of the Tokyo Game Show. The official exhibition figures show 292 exhibitors in the Indie Game Area, compared with 294 in 2025. There are also 78 exhibitors in the Selected Indie 80 area, which provides another platform for independent creators. The scale of these sections demonstrates the importance of smaller studios to the overall event. Independent developers often use major exhibitions to introduce games directly to players and industry representatives without the marketing resources available to large publishers. Tokyo Game Show provides them with a physical venue where their projects can be demonstrated alongside much larger productions. The presence of hundreds of independent exhibitors also means that visitors can encounter games covering a wide range of genres and ideas rather than being limited to the biggest commercial releases. AI and New Gaming Technology Artificial intelligence is also part of this year’s exhibition. The event includes an AI Technology Pavilion with 14 exhibitors, while other areas of the show cover hardware, augmented and virtual reality and business solutions. The AI presence reflects the growing interest in how artificial intelligence can be used throughout the games industry. Developers and businesses are examining applications that range from production tools to services and other technologies connected with gaming. The show also includes eight exhibitors in its AR/VR area and 53 in the gaming hardware section. Together, these areas demonstrate how the exhibition has expanded beyond conventional software demonstrations. Esports is another growing part of the event. Ten exhibitors are participating in the esports area, compared with six in 2025. Five Days Instead of the Usual Four Tokyo Game Show has been extended to five days for its 30th anniversary. The first two days, September 17 and 18, are business days for industry professionals and media, while the exhibition opens to the general public from September 19 through September 21. The longer schedule is intended to accommodate the event’s growing scale and attendance. Organizers expect approximately 300,000 people to visit during the five-day period. The general public days are scheduled to run from 9:30 a.m. to 5 p.m. on September 19 and 20, with the final day ending at 4 p.m. The business days run from 10 a.m. to 5 p.m. The decision to extend the show also gives exhibitors more time to present their products and gives visitors another day in which to explore the exhibition halls. Makuhari Messe Hosts the Expanded Event The main

Collecting convenience store fashion just became a national travel challenge

FamilyMart’s 47-Prefecture Socks Turn Japan’s Regions Into Souvenirs Japan is known for souvenirs that reflect particular places, from regional sweets and snacks to traditional crafts and character goods. Now FamilyMart has created a remarkably simple way to represent all 47 prefectures: a collection of socks featuring designs inspired by the distinctive flowers associated with each part of Japan. The limited-edition collection was introduced as part of FamilyMart’s 45th anniversary celebrations, giving customers a reason to look beyond the usual souvenir shops. Rather than producing one nationwide design, the convenience store chain has created a separate design for every prefecture. The result is a collection that combines everyday clothing with local identity and gives travellers another reason to visit FamilyMart while moving around Japan. One Design For Every Prefecture The concept is straightforward. Each prefecture has its own pair of socks, with the design based on its representative flower or botanical symbol. This means that the collection is not simply divided into regional colours or generic Japanese motifs. Instead, each pair is intended to connect with something associated with the particular prefecture. Tokyo, for example, uses Somei Yoshino cherry blossoms as its inspiration. Hiroshima’s design features maple leaves, reflecting the strong association between the prefecture and its autumn scenery. Aomori’s design uses apple blossoms, while Iwate’s design is based on the kiri, or paulownia. The different designs give the collection a distinctly regional character. Someone travelling through Japan can therefore choose a pair connected with the place they are visiting rather than simply buying a souvenir carrying the name of the country. The Souvenir That Requires Travel One of the most unusual features of the collection is that the prefecture-specific socks are sold only in FamilyMart stores within the corresponding prefecture. A visitor cannot simply order every design online and have the complete collection delivered to their home. That restriction turns the socks into a record of travel. A person visiting Hokkaido can look for the Hokkaido design, while someone travelling through Kyoto, Osaka, Fukuoka or another prefecture can search for the corresponding local version. Collecting several designs therefore requires physically moving around Japan. For travellers who enjoy collecting regional items, that limitation is an important part of the appeal. The souvenir becomes connected to the journey itself rather than being something that could have been purchased from anywhere. How Much Do The Socks Cost? Each pair costs ¥600 including tax. The socks are made from terry cloth and have antibacterial and deodorizing treatment, making them an ordinary wearable item as well as a novelty souvenir. The packaging also provides additional information about the regional design. It identifies the prefectural capital, the flower represented on the socks, the plant family and the season in which that flower blooms. This gives the product a small educational element and helps explain the connection between the design and the place it represents. The price also makes collecting individual designs considerably less expensive than many conventional Japanese souvenirs. A traveller does not have to make a major purchase to take home something associated with a particular destination. FamilyMart Brings Back Its Old Mascots The socks are only half of the anniversary collection. FamilyMart has also introduced 47 prefecture-specific stickers featuring the company’s historic Sun and Star mascots. The two characters were used as FamilyMart symbols from the company’s founding in 1981 until around the late 1990s. For the anniversary collection, they have been redesigned to represent different foods, festivals, cultural references and local specialties from across Japan. The approach gives the stickers a different character from the socks. While the socks concentrate primarily on flowers and plants, the stickers use recognizable regional imagery. Hokkaido’s design references Yubari melon, Kyoto’s features a maiko, and Miyagi’s mascot appears as zunda mochi. Okayama’s design draws on the story of Momotaro, the famous Japanese folk character strongly associated with the prefecture. The result is another 47-piece collection, this time focused on the cultural and culinary identities of Japan’s regions. A Collection Built Around Japanese Travel The idea works particularly well for Japan because travelling between prefectures can reveal substantial differences in food, landscapes, festivals and local traditions. A souvenir based on a prefecture’s own identity can therefore say more about a journey than a generic item carrying a Japanese flag or national symbol. The socks also fit naturally into the role that convenience stores play in everyday Japanese life. FamilyMart has thousands of locations across the country, meaning that travellers do not necessarily have to search for a specialist souvenir shop. The same convenience-store chain that provides meals, drinks and everyday necessities can also provide a small memento of a particular destination. For visitors attempting to collect multiple designs, however, the regional restriction changes the experience. Finding a particular pair becomes part of the trip. The collection can effectively become a visual diary of the prefectures a traveller has visited. Why The Collection Has Become A Travel Souvenir The appeal of the 47-prefecture socks comes from combining several familiar Japanese ideas in one inexpensive product. There is regional pride, the popularity of collecting, the country’s convenience-store culture and the long tradition of bringing home souvenirs connected to a particular journey. The fact that every prefecture has its own design also creates a natural incentive to compare them. Travellers can choose a favourite flower, buy the design from their current destination or try to accumulate pairs from several parts of the country. For people who enjoy completing collections, the existence of all 47 versions provides an obvious long-term challenge. FamilyMart’s anniversary collection ultimately turns something as ordinary as a pair of socks into a small representation of place. Instead of simply saying that they came from Japan, each pair can identify the particular prefecture where the traveller found it. With 47 designs and corresponding regional stickers, the collection offers an unusually practical way of turning a journey through Japan into something that can be taken home and remembered. Original source: Savvy Tokyo – FamilyMart’s 47-Prefecture Socks Are Japan’s Hottest

Air Quality Gifu Prefecture
Weather Details

Air Quality Gifu Prefecture

Air Quality Gifu Prefecture Weather BBC Weather Gifu Prefecture, Japan: Discover Traditional Villages, Historic Castles and Natural Beauty Gifu Prefecture is a beautiful destination in central Japan, offering visitors an opportunity to experience traditional Japanese culture, historic architecture and spectacular natural landscapes. Located in the Chubu region, Gifu is a landlocked prefecture surrounded by several other important Japanese destinations, including Aichi, Nagano, Toyama and Ishikawa. Unlike some of Japan’s larger metropolitan destinations, Gifu is particularly famous for its mountains, traditional villages, historic towns and peaceful countryside. The prefecture combines centuries of Japanese history with outdoor adventures, cultural experiences and distinctive regional cuisine. Gifu is an excellent destination for travellers interested in discovering a more traditional side of Japan. From the famous thatched-roof houses of Shirakawa-go to the historic streets of Takayama, the region offers attractions that showcase the country’s cultural heritage. Gifu City: The Prefectural Capital Gifu City is the capital of Gifu Prefecture and an important centre for regional business, culture and tourism. Situated along the Nagara River, the city is particularly well known for its historical connections with Japanese military leaders and traditional fishing practices. One of its most recognisable landmarks is Gifu Castle, which stands on Mount Kinka overlooking the surrounding city. The castle has a long history and is closely associated with Oda Nobunaga, one of the most influential military leaders during Japan’s sixteenth-century unification period. Visitors can reach the castle using a ropeway or explore the mountain through its walking trails. The summit provides impressive views across Gifu City and the surrounding countryside, making it a popular destination for sightseeing and photography. Another important attraction is the traditional cormorant fishing on the Nagara River. Known as Ukai, this historic fishing method uses trained cormorant birds to catch fish and has been practised in the region for more than a thousand years. Shirakawa-go: A Traditional Japanese Village Shirakawa-go is one of the most famous tourist destinations in Gifu Prefecture and is internationally recognised for its traditional Japanese architecture. The village is particularly famous for its gassho-zukuri farmhouses, which feature distinctive steep thatched roofs designed to withstand heavy winter snowfall. The historic settlement provides visitors with an opportunity to experience traditional Japanese rural life. Many of the buildings have been preserved for generations, allowing travellers to explore historic houses, museums and traditional village surroundings. Ogimachi is the largest village within the Shirakawa-go area and attracts visitors throughout the year. During winter, snow transforms the traditional houses into an especially impressive landscape, creating one of Japan’s most recognisable seasonal scenes. Shirakawa-go was designated a UNESCO World Heritage Site in 1995, alongside the neighbouring Gokayama villages in Toyama Prefecture. Its architectural traditions and cultural importance make it an essential destination for anyone exploring central Japan. Takayama: History and Traditional Japanese Culture Takayama is another major attraction in Gifu Prefecture, particularly popular with international tourists interested in traditional Japanese architecture and regional culture. The city is famous for its beautifully preserved old town, historic merchant houses and traditional craft industries. The Sanmachi Suji district is one of Takayama’s most recognisable areas, featuring traditional wooden buildings, small shops, sake breweries and restaurants. Walking through these historic streets provides visitors with an opportunity to experience the atmosphere of an older Japanese town. Takayama is also famous for its traditional festivals, which are considered among Japan’s most impressive cultural celebrations. The Takayama Festival takes place twice each year, in spring and autumn, featuring elaborately decorated festival floats and traditional performances. Visitors can also explore Takayama Jinya, a historic government building that provides insight into the administration of Japan during the Edo period. Its preserved rooms and historical displays help explain the region’s important political and commercial history. Japanese Food and Gifu’s Regional Specialities Gifu Prefecture has a distinctive food culture influenced by its mountainous geography, agricultural traditions and historical communities. One of its most famous specialities is Hida beef, a highly regarded Japanese beef variety produced in the Hida region. Hida beef is recognised for its marbling, tenderness and rich flavour. Restaurants throughout Takayama and other parts of Gifu serve it in different styles, including grilled dishes, sushi and traditional Japanese hot pots. Another popular regional speciality is Gohei mochi, consisting of grilled rice cakes coated in a sweet and savoury sauce. The dish is particularly associated with the mountainous communities of central Japan and is frequently available at local markets. Visitors can also discover traditional Japanese sake, locally produced vegetables and regional dishes that reflect the prefecture’s agricultural heritage. Nature and Outdoor Attractions Gifu Prefecture is particularly attractive to visitors who enjoy nature and outdoor activities. The region includes parts of the Japanese Alps, offering spectacular mountain scenery, forests, rivers and opportunities for hiking throughout the warmer months. The Hida region is especially famous for its mountain landscapes and traditional villages. Nearby destinations provide opportunities for photography, cycling, walking and exploring some of Japan’s most impressive natural environments. The Okuhida Onsen area is another popular destination, featuring traditional Japanese hot spring resorts surrounded by mountain scenery. Visitors can enjoy outdoor baths while taking in views of the surrounding landscape, particularly during autumn and winter. Gifu also offers beautiful river valleys and waterfalls, making it an excellent destination for travellers interested in exploring Japan beyond its major cities. Visiting Gifu Prefecture, Japan Gifu Prefecture offers an exceptional combination of Japanese history, traditional architecture, regional cuisine and natural beauty. Its attractions provide visitors with an opportunity to discover cultural traditions that have been preserved for centuries. Nagoya and other major cities provide convenient transportation connections to Gifu, while local railway and bus services connect many of the prefecture’s principal tourist destinations. Whether exploring the UNESCO-listed village of Shirakawa-go, discovering the historic streets of Takayama, visiting Gifu Castle or enjoying the mountain scenery, there are plenty of reasons to include Gifu in a Japanese travel itinerary. For international visitors looking to experience traditional Japan, Gifu Prefecture is a destination that deserves recognition. Its combination of historic communities, spectacular landscapes and welcoming regional culture makes

The birth of Japan Prince Shotoku and the making of a nation

The Birth of Japan: Prince Shotoku and the Making of a Nation The story of Japan’s emergence as a more organised and centralised state reaches back more than 1,400 years, to a period when political power was divided among powerful clans and the Yamato court was developing new ideas about government. One of the most important figures associated with this transformation was Prince Shotoku, a member of the imperial family who became closely connected with political reform, Buddhism and Japan’s relations with the wider Asian world. Shotoku lived during the Asuka period, when Japan was absorbing ideas, technologies and religious traditions from the Korean Peninsula and China. His career has subsequently become surrounded by legends, making it difficult to separate the historical figure from the image that developed after his death. Nevertheless, historical sources identify him as an important political figure during the reign of Empress Suiko and associate him with efforts to strengthen the authority and organisation of the Yamato state. A Country Still Organised Around Powerful Clans Japan in Shotoku’s lifetime was very different from the centralised country that would eventually emerge. The Yamato court exercised growing influence, but powerful clans remained essential to political authority. Leadership, land and social status were closely connected to hereditary groups, creating a political system in which the ruler had to work alongside influential families. The court was nevertheless undergoing significant change. Japan’s rulers were increasingly looking towards the more developed political systems of continental East Asia. Chinese models of government, Confucian political thought, writing and Buddhism all offered ideas that could be adapted to the needs of the Japanese state. Shotoku became associated with this transformation. Japan Search describes him as a regent during the reign of Empress Suiko and credits him with helping establish the Twelve-Level Cap and Rank System, promoting the Seventeen-Article Constitution and strengthening relations with the Sui dynasty in China. Shotoku and Empress Suiko Shotoku is traditionally identified as the nephew of Empress Suiko, who ruled Japan from 592 to 628. He served as regent and adviser during her reign, placing him close to the centre of government at a time when the Yamato court was attempting to strengthen its political institutions. His position also placed him at the intersection of several major changes. Buddhism was becoming increasingly important at court, relations with the Asian mainland were expanding, and the government was experimenting with new ways of organising officials and administering the country. The period was not simply a straightforward move towards a modern state. Political authority remained contested, and powerful families continued to play major roles. The reforms associated with Shotoku were part of a much longer process in which successive rulers gradually expanded the institutions of the Japanese state. The Twelve-Level Cap and Rank System One of the reforms traditionally associated with Shotoku was the Twelve-Level Cap and Rank System, introduced in 604. The system created a hierarchy of official ranks and was intended to distinguish government officials according to their positions and responsibilities. The system was significant because it provided a framework for recognising official status that was not based entirely on hereditary clan position. Although the influence of powerful families did not disappear, the development of formal ranks represented an important step towards a more structured administration. Later governments expanded and altered the ranking system. It therefore became part of a continuing process rather than a finished administrative structure created by one individual. The reforms of the seventh century would eventually produce a much more elaborate bureaucracy. The Seventeen-Article Constitution Perhaps the most famous document associated with Prince Shotoku is the Seventeen-Article Constitution, traditionally dated to 604. Despite its name, the document was not a constitution in the modern sense. It was a set of principles concerning political conduct, social harmony, Buddhism and obedience to the sovereign. The opening article famously places emphasis on harmony and avoiding conflict. Other articles address respect for Buddhist teachings and the authority of the ruler. Columbia University’s Asia for Educators describes the document as an important early attempt to reshape the Japanese government using Confucian and Buddhist approaches to statecraft. The document’s importance lies partly in what it reveals about the political ambitions of the period. The government was seeking greater cooperation among officials and clans while promoting a stronger concept of central authority. It was an early expression of ideas that would become increasingly important as Japan’s political institutions developed. Buddhism Becomes Increasingly Important Buddhism had arrived in Japan through connections with the Korean Peninsula during the sixth century. Its adoption was controversial, with different political groups taking different positions over the new religion. Shotoku became one of its most prominent supporters at the Yamato court. According to Japan Search, Shotoku played a crucial role in the spread of Buddhism and was associated with the construction of temples, including Shitennoji in present-day Osaka. His support helped Buddhism become increasingly established within elite Japanese society. Buddhism also brought Japan into a much wider cultural network. Along with religious teachings came art, architecture, writing and intellectual traditions that had developed across mainland Asia. Temples became important centres of religious and cultural activity, contributing to the transformation of Japanese society. Relations With China Shotoku’s period also saw Japan strengthen its diplomatic relationship with China. Japanese missions were sent to the Sui dynasty, allowing the Yamato court to establish direct contact with one of the most powerful states in East Asia. These missions were important because Japan could observe Chinese systems of government and learn from developments in administration, religion, writing and culture. Japanese rulers did not simply copy the Chinese system, but they increasingly adapted continental ideas to their own political circumstances. This exchange helped accelerate the transformation of the Yamato court. Knowledge and cultural influences arriving from abroad became part of a broader effort to strengthen political institutions and establish Japan as a more organised state. The Political Changes Continued After Shotoku Shotoku died in the early seventh century, but the political transformation associated with his era

Cosplay’s Biggest Event-2026
Conventions

Cosplay’s Biggest Event: Your Guide to the World Cosplay Summit 2026

World Cosplay Summit 2026 World Cosplay Summit 2026: Your Complete Guide to Nagoya’s Biggest Cosplay Event The World Cosplay Summit 2026 is set to bring cosplayers, anime fans and visitors from around the world to Nagoya from July 31 to August 2, 2026. The three-day celebration combines international cosplay, Japanese pop culture, live performances, photography and the World Cosplay Championship across several major locations in the city. The 2026 edition is particularly significant because it marks the final summer edition of the World Cosplay Summit. From 2027, the event moves to November, making this year’s July and August festival the last opportunity to experience WCS during the Japanese summer. What Is the World Cosplay Summit? The World Cosplay Summit is one of the world’s largest international cosplay events. It brings together representatives from countries and regions across the globe to celebrate anime, manga, video games and Japanese popular culture through cosplay and performance. The 2026 event features representatives from 41 countries and regions, creating an international gathering in the heart of Nagoya. The festival also provides visitors with opportunities to see cosplayers throughout the city rather than being restricted to one indoor convention venue. When Is World Cosplay Summit 2026? The main event runs from Saturday, August 1 through Sunday, August 2, with the Eve Festival taking place on Friday, July 31. Activities are spread across Sakae, Osu and surrounding areas, with Oasis 21 serving as one of the main focal points. The Final Summer Edition For visitors planning a Japan trip around cosplay, 2026 offers a special opportunity. The combination of warm-weather outdoor events, evening activities and large-scale cosplay gatherings gives the festival a distinctly summery atmosphere before the schedule changes from 2027. Html 1 The World Cosplay Summit 2026 Schedule The World Cosplay Summit begins with its Eve Festival on Friday, July 31. The opening evening sets the tone for the weekend with the Red Carpet Ceremony at Oasis 21, where representatives from the participating countries and regions come together in central Nagoya. Friday, July 31: Eve Festival The Eve Festival is scheduled for the evening of July 31, with activities beginning around 18:00. The Red Carpet Cosplay Photo Session takes place before the official ceremony, giving visitors an opportunity to see international representatives gathered at Oasis 21. The Red Carpet Ceremony is scheduled for 19:00 to 20:30. Representatives from 41 countries and regions are expected to take part, creating one of the most visually impressive moments of the opening celebration. Saturday, August 1: Day One Day One begins at 11:00 and continues through the evening. Oasis 21 hosts the opening activities and a series of stage events, while the Osu area provides another major focus for the festival. The Osu Cosplay Parade is one of the highlights of the Saturday programme. Cosplayers take to the streets around Osu Shopping Street, creating an atmosphere that extends beyond the official stages and into one of Nagoya’s best-known shopping and entertainment districts. Sunday, August 2: Championship Day Sunday brings the main competitive event, the World Cosplay Championship. The championship takes place at the Aichi Prefectural Arts Theater, where international teams compete through live cosplay performances. Tickets and Free Areas The wider event area offers free admission, although separate tickets are required for the World Cosplay Championship and certain programmes. Visitors should therefore check the official schedule and ticket information when planning which parts of the weekend they want to attend. Html 2 Where to Experience World Cosplay Summit 2026 One of the best things about the World Cosplay Summit is that the event is not confined to a single convention hall. The 2026 programme uses several locations around central Nagoya, allowing visitors to combine cosplay activities with sightseeing, shopping, food and photography. Oasis 21 Oasis 21 is one of the central locations for WCS 2026 and provides the setting for the Eve Festival, Red Carpet Ceremony and major stage activities. The futuristic glass structure creates a distinctive backdrop for cosplay photography, particularly when the area becomes illuminated after dark. Osu Shopping Street Osu is another essential stop during the festival. The district is well known for its shopping arcades, restaurants, second-hand stores, anime and manga interests, and colourful atmosphere. During WCS, the streets become an important part of the cosplay experience. The Cosplay Parade takes place in the Osu area on Saturday, making this an ideal location for visitors who want to experience cosplay outside a conventional stage environment. The combination of costumes, shops and historic streets provides plenty of opportunities for photography. Hisaya-Odori Park and Other Locations Hisaya-Odori Park, Hisaya-Odori Garden Flarie, Central Park and other locations also form part of the wider 2026 festival environment. Chubu Electric Power MIRAI TOWER adds another recognisable Nagoya landmark close to the main event area. Getting Around the Festival Oasis 21 is only a short walk from Sakae Station, while the Aichi Prefectural Arts Theater is also within easy walking distance. Because several venues sit around the Sakae and Osu districts, visitors can move between activities while exploring central Nagoya at the same time. The official WCS access information provides venue details, transport information and guidance for visitors, making it useful to check before setting out each day. html 3 How to Enjoy World Cosplay Summit 2026 Visitors do not need to be competing cosplayers to enjoy the World Cosplay Summit. The festival welcomes fans, photographers, tourists and anyone interested in Japanese anime, manga, games and international pop culture. Watch the World Cosplay Championship The World Cosplay Championship is the centrepiece of the weekend. Teams representing countries and regions compete through carefully prepared performances, costumes and character portrayals. The 2026 championship is scheduled for Sunday, August 2 at the Aichi Prefectural Arts Theater. For people unable to attend Nagoya in person, WCS also provides live streaming options. This allows international fans to follow the championship and other major programming from outside Japan. Meet Cosplayers From Around the World The international nature of WCS makes it more than a Japanese cosplay convention.

Cosplay’s Biggest Event-2026
Conventions

コスプレ最大級の祭典!ワールドコスプレサミット2026完全ガイド

コスプレ最大級の祭典!ワールドコスプレサミット2026完全ガイド コスプレ最大級の祭典!ワールドコスプレサミット2026完全ガイド コスプレは、アニメ、漫画、ゲーム、映画、テレビなどのキャラクターを衣装やメイク、演技によって表現する世界的なカルチャーです。日本国内だけでなく、ヨーロッパ、アジア、北米など世界各地でコスプレイベントが開催され、多くのファンが交流や撮影、ステージパフォーマンスを楽しんでいます。その国際的なコスプレ文化の中心として注目を集めているのが、名古屋で開催されるワールドコスプレサミットです。 ワールドコスプレサミット、通称WCSは、世界各国・地域からコスプレイヤーが集まる国際的なイベントです。2026年は7月31日から8月2日までの3日間、名古屋市内の複数会場を舞台に、レッドカーペット、コスプレパレード、ワールドコスプレチャンピオンシップなど、多彩なプログラムが予定されています。 コスプレに込められる技術と情熱 コスプレの魅力は、単にキャラクターの衣装を着ることだけではありません。衣装のデザイン、素材選び、裁縫、造形、ウィッグ、メイク、ポージングなど、さまざまな技術が組み合わさります。キャラクターの世界観をどこまで表現するかによって、完成したコスチュームの印象も大きく変わります。 世界中から集まるコスプレイヤー WCSでは40を超える国と地域が国際的なコスプレ文化を代表します。2026年のワールドコスプレチャンピオンシップには41の国と地域が参加予定となっており、名古屋は世界各地のコスプレ文化が交わる場所となります。 コスプレイヤーにとってWCSは、衣装やキャラクター表現を披露するだけでなく、海外の参加者やファンと交流する機会にもなります。観客として訪れる人にとっても、街全体がコスプレの舞台となる独特の雰囲気を楽しめるイベントです。 Html 1 20年以上の歴史を持つワールドコスプレサミット ワールドコスプレサミットは2003年10月を起点とする国際的なコスプレイベントです。初期からヨーロッパのコスプレイヤーと日本のコスプレ文化を結ぶ交流の場として発展し、現在では世界規模のイベントへと成長しています。 2004年にはアメリカが加わり、名古屋でのイベントと大須でのコスプレパレードが展開されます。2005年には愛知万博の開催を背景に国際的な存在感がさらに高まり、ワールドコスプレチャンピオンシップもスタートします。現在のWCSにつながる国際大会の基盤がここにあります。 世界規模へ広がるWCS その後、参加国・地域は着実に増加します。2007年には各国・地域での予選が導入され、2012年には参加国が20か国規模へ拡大します。2014年には約20万人の観客が注目する大規模イベントとなり、2016年には30か国の参加へと広がります。 2017年には名古屋が「コスプレの聖地」として位置づけられ、WCSと名古屋の結びつきはさらに強くなります。2018年には36か国・地域、2019年にはさらに多くの国と地域が参加し、世界中のコスプレイヤーが集まるイベントとしての地位を確立しています。 2026年は41の国と地域が参加 2026年のワールドコスプレチャンピオンシップには41の国と地域が参加予定です。各国・地域の予選を勝ち抜いた代表チームが名古屋に集まり、衣装制作の技術、作品への理解、ステージ上での表現力などを競います。 2026年の大会では、コスプレを通じた国際交流とステージパフォーマンスが、名古屋の夏を彩る大きな見どころとなります。 Html 2 ワールドコスプレサミット2026の注目プログラム 初日はレッドカーペットセレモニー ワールドコスプレサミット2026は、7月31日(金)のイブフェスティバルからスタートします。会場は名古屋・栄のランドマークとして知られるOasis 21で、18時から21時までレッドカーペットセレモニーが予定されています。 Oasis 21の大階段を舞台に、参加するコスプレイヤーが華やかな衣装を披露します。名古屋の夜景を背景に写真撮影を楽しめる機会もあり、WCSの開幕を象徴するプログラムとなります。 2日目は大須コスプレパレード 8月1日(土)は、大須商店街を舞台にコスプレパレードが予定されています。大須観音周辺を起点とする色鮮やかなパレードには、各国・地域の代表やWCSの関係者、コスプレイヤーなどが参加します。 大須はアニメ、漫画、ゲーム、コスプレなどのポップカルチャーと、昔ながらの商店街文化が共存する名古屋の人気エリアです。街歩きとコスプレイベントを同時に楽しめるため、写真撮影を目的とする来場者にも注目のエリアです。 3日目はワールドコスプレチャンピオンシップ 8月2日(日)は、WCSの中心となるワールドコスプレチャンピオンシップが開催されます。会場はAichi Arts Centerのグランドホールで、ステージ部門は15時30分からのスタートが予定されています。 世界各国・地域の代表チームがステージに登場し、衣装だけでなく、演技、演出、キャラクター表現などを組み合わせたパフォーマンスを披露します。世界一のコスプレパフォーマンスチームを決める国際的な競技として、2026年も大きな注目を集めます。 html 3 ワールドコスプレサミット2026を名古屋で楽しむ方法 WCS2026の会場はOasis 21、Aichi Arts Center、久屋大通公園、Hisaya-Odori Garden Flarie、大須商店街など、名古屋の中心部に広がります。複数の会場を巡りながらイベントを楽しめるため、コスプレだけでなく名古屋の街そのものを体験できるのも大きな魅力です。 コスプレ参加者向けのサポート 名古屋市では、コスプレイヤーがより快適に街を訪れられるよう「Cosplay Host Town」の取り組みも展開しています。対象となるホテルでは、客室での着替えやコスプレ姿での外出、指定された場所での撮影などに対応する施設があります。 コスプレ対応のタクシーも用意されており、大型の衣装や小道具を持つ参加者に便利な選択肢となります。利用条件や追加料金、予約方法は施設やサービスによって異なるため、訪問前に各施設の最新ルールを確認することが重要です。 写真撮影は各施設のルールを確認 名古屋には公園、庭園、歴史的建築物、都市空間など、コスプレ撮影に適した場所があります。ただし、撮影可能な場所でも施設ごとにルールが異なります。大型小道具の使用、撮影時間、着替え場所、商業撮影などについて条件が設定される場合があるため、事前確認がおすすめです。 2026年の開催日程と会場 ワールドコスプレサミット2026は、7月31日(金)から8月2日(日)まで開催予定です。7月31日はイブフェスティバル、8月1日は大須コスプレパレード、8月2日はワールドコスプレチャンピオンシップが中心となります。 世界中のコスプレ文化が名古屋に集まる3日間を楽しむなら、各プログラムの時間、会場、チケット情報、参加ルールを公式情報で確認しながら予定を組むのがおすすめです。 html 4 コスプレ最大級の祭典!ワールドコスプレサミット2026完全ガイド October 7, 2026 Comment (0) Read More MCM Comic Con October 1, 2026 Comment (0) Read More MCM Comic Con October 1, 2026 Comment (0) Read More MCM Comic Con October 1, 2026 Comment (0) Read More MCM Comic Con October 1, 2026 Comment (0) Read More MCM Comic Con October 1, 2026 Comment (0) Read More MCM Comic Con October 1, 2026 Comment (0) Read More Cosplay’s Biggest Event: Your Guide to the World Cosplay Summit 2026 October 1, 2026 Comment (0) Read More MCM Comic Con September 28, 2026 Comment (0) Read More Home Page BBC News

Japan virtual idols human side unveiled as VTuber boom spreads globally

Nagoya Sushi Restaurant Serves Up Live J-Pop Performances Alongside Its Food A sushi restaurant in Nagoya has found an unusual way to combine two very different aspects of Japanese popular culture: traditional sushi and live J-pop idol performances. Sushidokoro Goichi, located in Nagoya’s Naka Ward, looks at first like a conventional Japanese sushi restaurant. Its lantern-lit entrance, traditional seating areas and sushi chefs working behind the counter create the kind of atmosphere customers might expect from an established restaurant serving traditional Japanese cuisine. But Goichi has another identity that sets it apart from an ordinary sushi restaurant. Parts of the building are equipped with stages and audio equipment, allowing the restaurant to host live performances by the locally based idol group Idol Kyoshitsu. The concept brings together dining and entertainment in a way that gives customers an opportunity to enjoy sushi before, during or alongside an event involving performers who have developed their own following in Nagoya and beyond. A Sushi Restaurant With Its Own Performance Space Goichi is a multi-purpose venue as well as a restaurant. Its banquet rooms are designed to accommodate events such as wedding receptions and company parties, but some of those rooms also include stages and sound equipment. The fourth floor became particularly important to the restaurant’s unusual entertainment business because it provided a dedicated space where idol performances could be staged. That arrangement allowed the restaurant to become more than simply a place where customers could eat. It provided a permanent base for a local idol group while also giving the performers an opportunity to appear regularly in front of an audience. The idea came from the restaurant’s owner, Noriyuki Umemura, whose own background helped inspire the combination of sushi and music. The Owner Had a Background in Music Umemura took over the management of the family restaurant from his father in 2007. Although he was prepared to take responsibility for the business, music remained an important part of his life. Before returning to his hometown and taking over the restaurant, Umemura had spent time in Tokyo working as a singer-songwriter. Rather than abandoning that interest when he returned to Nagoya, he looked for a way to combine his musical ambitions with the family business. His solution was to create an idol group that could operate from the restaurant while also performing elsewhere. In 2008, auditions were held in Nagoya and the neighbouring prefectures of Gifu and Mie to find members for the new group. The group was named Idol Kyoshitsu, which can be translated as “Idol Classroom”. The performers eventually began using the restaurant’s fourth-floor stage as their regular performance venue. Idol Kyoshitsu Performs at the Restaurant Idol Kyoshitsu gave its first live performance at Goichi in 2009. The restaurant therefore became closely associated with the group and provided a physical home for the performers as they developed their careers. The unusual relationship between the restaurant and the idol group went beyond simply providing a stage. Members of Idol Kyoshitsu also worked in the restaurant, helping to prepare food and serve customers. According to Umemura, the members worked at the restaurant for several days each week. On performance days, they could also interact directly with customers, creating a much closer relationship between the performers and their audience than would normally be possible at a large concert venue. That arrangement also meant that customers could encounter the performers away from the stage. Instead of seeing the idols only during a scheduled concert, visitors could find them working in the restaurant as part of the everyday operation of the business. The Restaurant Became Part of the Group’s Identity The connection between Goichi and Idol Kyoshitsu helped give the group a distinctive identity within Nagoya’s local entertainment scene. The performers were not restricted to appearances inside the restaurant. Idol Kyoshitsu also performed at shopping malls, festivals and community events in the region. As their profile increased, the group began receiving more requests for appearances and interviews. The restaurant consequently became a starting point for a music project that developed a presence beyond the family business. The combination also allowed the group to reach people who might not normally attend an idol performance. Someone visiting the restaurant because they wanted sushi could encounter the performers and subsequently become interested in their music. Fans Came From Different Backgrounds The audience attracted by Idol Kyoshitsu was not limited to the stereotypical image sometimes associated with Japanese idol fandom. Umemura said that many of the group’s supporters were men in their 30s, but the restaurant also began attracting women and families. Some younger female fans were particularly interested in the combination of sushi and idol performances. That broader audience gave the restaurant an additional advantage. Families could visit for a meal while also treating the performance as part of their entertainment for the day. The format also created a different atmosphere from a conventional concert. Rather than entering a dedicated music venue and spending the entire evening focused on a stage, visitors could combine food, conversation and entertainment in the same location. From Restaurant Performances to Recorded Music Idol Kyoshitsu eventually moved beyond live appearances and began releasing recorded music. The group’s first single was released in 2012, giving the performers another way to build an audience beyond their live shows. The group’s second single, “Boku wa Kimi ni Koi wo Shita”, was released in August and reached No. 42 on Japan’s Oricon chart. The chart appearance was an important milestone for a group that had started by performing on a stage inside a sushi restaurant in Nagoya. It demonstrated that the unusual concept could produce music that reached an audience beyond the customers visiting Goichi. The restaurant’s owner was also directly involved in the musical side of the project. Umemura wrote songs for the group, combining his experience as a singer-songwriter with his role as the restaurant’s manager and producer. A Christmas Song With a Different Approach One of the group’s releases around the time of the story

When Japan chose Buddhism

When Japan Chose Buddhism The arrival of Buddhism in Japan was far more than the introduction of a new religion. During the sixth and seventh centuries, the Japanese court was deciding how the country should develop and where it belonged within the wider world of East Asia. Buddhism became closely connected with those political and cultural questions, eventually helping transform Japanese government, art, architecture and ideas about society. Buddhism reached Japan through connections with the Korean Peninsula, bringing with it scriptures, images, rituals and intellectual traditions that had already developed across China and Korea. Its arrival created a debate among powerful Japanese clans. Some saw the new religion as a source of knowledge and political prestige, while others feared that adopting foreign religious practices could anger the indigenous kami and undermine established traditions. Buddhism Arrives From the Korean Peninsula The traditional date given for the official introduction of Buddhism to the Japanese court is 538, although another important historical source gives the year as 552. Modern historians generally regard the precise date as uncertain, but there is broad agreement that Buddhism entered Japan through diplomatic contacts with the Korean kingdom of Baekje during the sixth century. The arrival of Buddhist images and scriptures gave the Yamato court access to a religious tradition that was already deeply established elsewhere in Asia. Buddhism also came with artistic techniques, written culture and models of temple construction, linking religious change to a much broader exchange with the continent. For Japanese rulers, this was particularly significant because China was then the dominant cultural and political power in East Asia. Adopting elements of continental civilisation could demonstrate that Japan was participating in the same international cultural world. Buddhism consequently became associated with diplomacy and state-building as well as religious belief. A Religious Dispute Becomes a Political Struggle The introduction of Buddhism did not immediately produce agreement at the Japanese court. Powerful clans took different positions, and the dispute became intertwined with existing rivalries over political influence. The Soga clan became prominent supporters of Buddhism. Other powerful groups, including the Mononobe, resisted its adoption. Opposition was not simply based on theological disagreement. Buddhist worship represented a new set of relationships and ideas that could alter the balance of power at court. The issue became particularly intense during the reigns of Emperor Kinmei and his successors. According to historical accounts, the Soga eventually defeated the Mononobe in 587. The victory removed one of the most important centres of organised resistance to Buddhism and allowed its supporters to promote the religion more openly. Records of the period therefore show Buddhism becoming part of a much larger political transformation. Why Buddhism Was Attractive to the Court Buddhism offered the Japanese ruling elite more than a system of religious beliefs. It provided access to a sophisticated intellectual and cultural tradition that had spread across Asia. Buddhist temples could demonstrate the wealth and authority of their sponsors, while Buddhist rituals were increasingly associated with protecting the state and ensuring peace. The religion also fitted into the court’s growing interest in Chinese political models. Japan was developing a stronger sense of itself as a unified state, and its rulers were looking towards continental examples of administration and government. Becoming a Buddhist country could also help Japan establish itself as a legitimate participant in the Chinese cultural sphere. The adoption of Buddhism was therefore part of a wider decision by sections of the Japanese elite to engage more deeply with continental Asia rather than develop in isolation. Prince Shotoku and the Expansion of Buddhism One of the most important figures associated with the early development of Buddhism in Japan was Prince Shotoku. Serving during the reign of Empress Suiko, Shotoku became an important political figure and supporter of Buddhist institutions. Shotoku’s involvement helped establish Buddhism more firmly within the court. Temples were constructed, Buddhist teachings were promoted and diplomatic links with China were strengthened. The religion was increasingly incorporated into the political and cultural life of the Yamato state. The famous Seventeen-Article Constitution traditionally attributed to Shotoku also reflects the influence of Buddhist and Confucian ideas. Although it was not a constitution in the modern sense, it presented principles concerning harmony, government and political conduct. Buddhism had consequently become part of the intellectual framework through which some Japanese leaders considered the organisation of society. Temples Become Symbols of a Changing Japan As Buddhist influence expanded, temples became some of the most visible symbols of the transformation taking place in Japan. Large religious complexes required skilled craftsmen, architects and artists, many of whom were influenced by techniques and traditions arriving from the Korean Peninsula and China. Horyuji near Nara is one of the most important surviving examples of early Japanese Buddhist architecture. Its buildings preserve elements of the architectural traditions introduced during the Asuka period and demonstrate how quickly continental artistic influences were adapted to Japanese conditions. Buddhist art also transformed the visual culture of the court. Sculptures of Buddhas and bodhisattvas became important objects of devotion and patronage, while temple complexes provided settings for rituals that were very different from older forms of kami worship. Buddhism and Indigenous Japanese Beliefs The adoption of Buddhism did not mean that Japan simply abandoned its existing religious traditions. Belief in kami and local sacred places remained deeply rooted, and over subsequent centuries Buddhism and indigenous Japanese practices became closely intertwined. This relationship eventually produced forms of religious cooperation in which Buddhist temples and kami shrines could exist alongside one another. Rather than creating a permanent division between two completely separate religions, Japanese religious culture developed through centuries of interaction and adaptation. The distinction between Buddhism and Shinto that many people recognise today is therefore partly the result of much later developments. Before the modern period, the two traditions were frequently connected in religious practice. From Court Religion to State Buddhism During the seventh and eighth centuries, Buddhism became increasingly integrated into the institutions of the Japanese state. The government sponsored temples and religious ceremonies, while rulers

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